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Kineikonic Mode
The kineikonic mode is a term for the moving image as a multimodal form. It indicates an approach to the analysis of film, video, television and any instance of moving image media that examines how systems of signification such as image, speech, dramatic action, music and other communicative processes work together to create meaning within the spatial and temporal frames of filming and editing.
== History ==
As a way of exploring how informal digital video production involved not only the familiar functions of filming and editing, but also the dramatization of identity, drawing from film theory and multimodality theory, Andrew Burn and David Parker coined the term kineikonic in 2003 by combining the Greek words ''kinein'' meaning "to move" and ''eikon'' meaning "image".〔 Kineikonic analysis pays attention to how the modes of the moving image, such as speech, music, dramatic action, work together in kineikonic texts, be they film, video, videogame or animation, by observing both the modes within an individual frame and also how these modes work together throughout the temporal sequence of the text, both within and beyond the level of the shot.〔 In this sense, the kineikonic model disputes Metz's proposal that there can be no grammar of film below the level of the shot. The concept of 'mode' stems from multimodal theory, and refers to 'a set of socially and culturally shaped resources for making meaning. Mode classifies a ‘channel’ of representation or communication for which previously no overarching name had been proposed'.〔(【引用サイトリンク】url=https://multimodalityglossary.wordpress.com/mode-2/ )〕 By examining modes, such as sound, movement, image, and gesture, analysts can understand how the meaning of a text is constructed across and between the signifying systems of these semiotic forms.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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